I want this on my wall right now!
How fun do you think this photo shoot was? I kindof dig the 100% medically inaccurate tagline. One of the big sells of the first film, of course, was that it was a 100% medically accurate procedure. The director, Tom Six, actually consulted with doctors to devise a surgical procedure that would produce a centipede. Awesome.
The Human Centipede 2: Full Sequence had its world premier in Austin, TX a few weeks ago. It's supposed to see a limited theatrical release starting in October. I really hope it comes close to me. I want to see this film opening night just to see what kind of insane people (other than me, of course) are sick enough to be there.
Wednesday, September 28, 2011
The Girl With the Dragon Tattoo trailer
David Fincher's version of The Girl With the Dragon Tattoo is coming December 21, and it's looking pretty fantastic. Here's the new trailer, which shows that Fincher has captured the tone of the Steig Larsson novels pretty well. Given the pedigree here (directed by Fincher, starring Daniel Craig, with a Trent Reznor score), there's every reason to believe this will be a great little flick.
99¢ Review: Killer Elite
The Movie: Killer Elite
The Good: Fun action sequences. Jason Statham, Clive Owen, and Robert DeNiro.
The Bad: Convoluted story. Clive Owen’s mustache.
This movie is exactly what one should expect from an action film starring Jason Statham, Clive Owen, and Robert DeNiro. It’s a silly little action romp that features crazy fights, shootouts, and explosions tied up loosely in a throwaway story.
The film starts with Danny (Statham) and Hunter (DeNiro), killers for hire, taking out a convoy of bad guys in Mexico. After the job, Danny retires, having had his fill of the lifestyle. Unfortunately, one year later, Hunter is kidnapped when he fails to complete a job, and Danny is pulled back into service once again. In order to free Hunter, Danny must take out three elite SAS commandos while making each hit look like an accident. Once things get going, a SAS operative (Owen) gets on Danny’s trail and tries to stop him. What follows is a globetrotting adventure where the fights are frequent and brutal.
For the past few years, Jason Statham has put out a steady stream of this type of action film. This year alone has seen him starring in The Mechanic, Blitz, and Killer Elite. How he’s able to put out this volume of high-energy action films without slowing down is beyond me. Unfortunately, all of these films are basically popcorn films without any real depth. Such is the case here. There is a bit of a love story and some vague message of friendship and sacrifice, but ultimately, all of that is forgotten the instant the credits roll.
What matters here are the fights and action. Here the film pretty much succeeds. First-time director Gary McKendry (how do you get that lineup your first time out?) does a fine job of keeping the action flowing. The pacing is nice, it’s easy to follow the big scenes, and the choreography is pretty cool. It looks like parts of the movie were really painful to film. Fortunately, it isn’t painful to watch.
3 out of 5 stars
Sunday, September 18, 2011
99¢ Review: Attack the Block
I watch a lot of movies (Check out my list of movies seen in 2011), but I don’t always have the time to write up a full review. Instead, I thought I would start up a new column where I give you the discount version of the review. What’s good, what’s bad, if it’s worth your time.
The Movie: Attack the Block
The Good: Fun dialog. Cool creature design.
The Bad: The story of redemption falls a little flat.
Attack the Block is an alien invasion film from the UK – funny accents, yay! – that is a pretty fun time, but could have been brilliant. It follows a group of disaffected youth who are bored and looking for something to do. This group of teenagers spends most of their time being hooligans, robbing their neighbors, selling and smoking pot, threatening people not from ‘The Block’, etc. That is, until aliens land and start attacking people. Then the ruffians must defend their turf from a threat that none of them could ever have accounted for.
One of the best parts of the film is the acknowledgement that our heros are kids. They have to check in with their parents before going out and taking on terrifying alien beasts. They are worried about homework and curfews and all those other things that kids feel keep them from being adults. The kids often just want to give up and play FIFA instead of risking their lives. Unfortunately for them, they are on their own with the crisis. This is because they are all thugs and wanted by the police. It’s not a good idea to call the police for help with an alien invasion when you’ve been smoking pot all day. It’s up to the kids to improvise their defense and find a way to neutralize the aliens.
There’s a concept in film known as ‘Save the Cat’. In almost every film you see, there is a scene early on where the good guy is identified by some small act of kindness. It’s usually just a brief moment, a quick scene that you might even miss. But, subconsciously, you catch it and from then on you know whom to root for. A good example of this occurs in John Rambo, a movie about a tough-guy military veteran who later on in the movie dispatches scores of Laotians in hyper-gory fashion. However, at the start of the movie, upon returning from hunting snakes in the Cambodian wilds – a tough-guy activity if there ever was – he hands a string of fish to some passing elderly locals. He helps the locals. What a nice thing to do! From then on, we associate Rambo as a nice guy, even as he mows down dozens of soldiers with a .50 cal from point blank range.
I bring this up because there is no ‘Save the Cat’ moment in Attack the Block and this really hurts the film. These kids are thugs through and through. When an alien is chasing the kids or some plan of attack goes horribly wrong, it’s difficult to care. This lack of compassion for the characters is the only flaw in the film.
Everything else in the movie works well. The action is fun, the banter with the cast is fun, the creatures are very cool, there are some tense moments and the resolution is satisfying. It really is a fun movie. I just wish that I would have connected with the characters better.
3.5 out of 5 stars
99¢ Review: Drive
I watch a lot of movies (Check out my list of movies seen in 2011), but I don’t always have the time to write up a full review. Instead, I thought I would start up a new column where I give you the discount version of the review. What’s good, what’s bad, if it’s worth your time.
The Movie: Drive
The Good: The look, Ryan Gosling, Ryan Gosling’s jacket, the cuteness of Carey Mulligan, Clint Mansel’s soundtrack (mostly), the cars, the driving.
The Bad: Not much. It can catch you off guard with its gore.
From the opening scene, Drive grabs you and never lets you go. The style and atmosphere practically ooze off the screen. You can feel the heat of a hot L.A. night as Gosling’s character (who is unnamed, referred to as ‘the kid’) drives for the opening heist. It’s a slick little number that relies on realism and patience in the face of danger rather than wild driving through packed city streets. The tension comes from the calm demeanor of Gosling, the silence of the characters, the heartbeat-simulating undercurrents of Clint Mansel’s score thumping in the background. It's awesome.
The kid is a part-time mechanic, part-time getaway driver. He gets mixed up with his neighbor, her young son, and her husband on a heist that goes wrong. He’s put into a position to right the wrongs of betrayal. Try as he might, he winds up in a deadly spiral of violence that involves loan sharks, the mob, old friends and new double crosses. It’s exciting and polished and it features one of the greatest jackets in cinema. Seriously, I want Gosling’s scorpion jacket in my closet right now.
I know of director Nicolas Winding Refn’s previous works, The Pusher trilogy, Bronson, and Valhalla Rising. After watching Drive, I’m going back to see those films. He has a unique style that is a wonder to watch. Drive is a slow burn film. It takes its time to establish the characters and set up the action. Once the fuse is lit on the powder keg, there’s an amazing explosion on screen. It has compassionate scenes punctuated by bouts of extreme and bloody violence. It is a very good film and will undoubtedly make many ‘Best of 2011’ lists.
4.5 out of 5
99¢ Review: Warrior
I watch a lot of movies (Check out my list of movies seen in 2011), but I don’t always have the time to write up a full review. Instead, I thought I would start up a new column where I give you the discount version of the review. What’s good, what’s bad, if it’s worth your time. Here’s my 99¢ review of Warrior.
The movie: Warrior
The Good: Quality acting from Tom Hardy, Joel Edgerton and Nick Nolte. Hits all the right notes for this type of film. Visceral action in the ring.
The Bad: There’s not much new here. Jennifer Morrison looks cute but doesn’t do anything.
I liked Warrior better when I saw it last year under it’s alternate title: The Fighter. It’s really just the same film with a different skin. You’ve got conflict between brothers, dysfunctional family life, compelling reasons to engage in brutal fisticuffs, and brutal action in the ring (or octagon). But, we saw all of this last year in the superior The Fighter.
That’s not to say that Warrior is a bad film. Tom Hardy and Joel Edgerton certainly look the part, both of them having bulked up for their roles (I’m sure the ladies will swoon). Nick Nolte plays the gruff fatherly role really well. Both of the leads have compelling reasons to risk life and limb in the ring. One needs the money to save his house and family (though his wife ignores the financial crisis completely) and the other is honoring a promise to a fellow marine. The action in the ring is well directed, easy to follow, and looks like it really, really hurts.
If you enjoyed The Fighter and are looking for more of the same, then by all means, see Warrior. If you are a MMA fan, then this might appeal to you, though there really isn’t a lot of behind the scenes MMA stuff on display. Warrior is a drama that does its job really well, but on the heels of last year’s excellent boxing movie, it kindof feels pointless.
3 out of 5 stars.
Wednesday, September 14, 2011
Weekend box office for Sep. 9-11, 2011
It took a while, but The Help has finally been displaced as the number one film in America. The drama is in its fifth week and spent the past three as #1. The Help fell to #2 with an $8.9 million haul over the weekend raising its total to $137 million and change. This one is likely to play for a while yet and will probably cruise past $150 before it’s all said and done.
The film that beat it, Contagion, was packed with star power. The thriller about a virus outbreak that threatens to wipe out humanity from director Steven Soderbergh brought in $22.4 million over the weekend, which was in line with studio expectations. The film is downright creepy and probably makes the germophobes out there squirm just thinking about it. It's a solid film with a solid cast, and it had a respectable debut.
The other major release of the weekend, Warrior, opened at #3 to only $5.2 million, which has to be a disappointment to the studio. After getting quality films like The Wrestler and The Fighter over the past couple of years, it seems like the hunger for fightin’ flicks is just about over. It’s a good movie, and it hits all the right notes, but we’ve seen this before. Had this one waited a couple of years then it might have found a bigger audience.
Elsewhere, Bucky Larson: Born to Be a Star failed miserably, which makes me happy. It opened at #15 and should be gone from theaters by the end of the month, so I never have to think about it again.
Oh, hey! I saw the lowest grossing movie ever to debut on 1500+ screens! Appearing on 1,507 screens, Creature opened in 29th place with only $327,000, which gives it a per screen average of $217 dollars. That, folks, is bad. Historically bad. The film was shot on a microbudget and distributed by an ambitious distribution company who thought that getting the movie on a bunch of screens would generate lots of excitement (and revenue). Oops. What other films beat it this week? Kevin Hart: Laugh at My Pain brought in $1.9 million on 98 screens. Something called Mere Brother Ki Dulhan brought in $399,000 from 74 screens. When a stand-up comedy show and a Bollywood film trounce you, there are problems with your business model. I’m guessing this one lasts about as long as Bucky Larson does.
Next week brings us a romantic comedy, I Don’t Know How She Does It, a remake we don’t need, Straw Dogs, and a slick thriller, Drive.
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